CANVAS BAGS!
Don’t miss my eye-catching Canvas Bags – Ideal for those little shopping trips. New design just out!
Fabrics in particular garments hold memories; of people and events. They bear witness through the wear and tear that they sustain and they can transport us to particular personal moments and back memories, happy and sad. I deem working with preloved and used fabrics a privilege, and I take great care when I am working with them to honour the history that they represent.
I have created several memory quilts, incorporating clothes of a beloved relative and they have become treasured pieces for the recipients. There is something comforting about being able to wrap yourself up in a quilt especially one that is so familiar in terms of it’s component pieces.
I also completed quilts for clients who have found a piece of unfinished or abandoned patchwork after the original stitcher has passed away. I have extended panels, added backings and wadding and quilted them to make them in to a serviceable quilts that can be enjoyed and treasured.
I gave a new lease of life to a beloved soft toy’s jacket and embellished several pairs of jeans using multiple over-lapping patches hand stitched in place inspired by Japanese Boro.
I love recycling, repairing and reimagining textiles and giving them a new purpose.
If you have a project that I could help with, please message me, and we can discuss the creative possibilities. Have a look at some of the recent projects I have worked on here.
‘In Memory of Mum’ was commissioned by Rachel for her husband’s fiftieth birthday. She brought me a panel of hexagons stitched in the sixties by her mother in law and a beautiful hand made dress that had belonged to her. The panel came to light after mother in law’s death and had been sitting in a bag waiting for someone to decide what to do with it. Rachel wanted to have it made into a useable quilt and asked if I could incorporate the dress. The panel was made up of an eclectic array of fabrics, cottons, crepes and crimplene, and the patches around the edge still had hand made templates cut from sixties packaging in place.
I created a border of light green and white stripe fabric, and hand stitched the panel in place. I deconstructed the dress and created a second border which set off the hexagons beautifully. I used more of the green and white stripes on the back and to create the binding. There were some small holes and discolouration on the backing piece which I covered using a random selection of hexagons. I quilted it using knots of white cotton perle. As a finishing off detail I unpicked the embroidered
label from the dress and stitched it on to the front of the quilt.
This beautiful antique, scrappy patchwork quilt was bought in 1999 in Lawrencetown, Delaware, USA. It is much loved and used everyday. Consequently over the years some of the more fragile patches had completely disintegrated. I was asked to renovate it so that the new patches blended in. This involved sourcing appropriate cotton fabrics and working with lots of asymmetrical panels to match in with the existing ones. I hand stitched the new patches and renewed the quilting knots.
A small quilt made for a baby using a mix of preloved shirts, dresses and furnishing fabric, all softened with many washes in previous incarnations. A simple design using squares for the main panel and oblongs for the borders. It is hand quilted with a light weight cotton wadding, using running stitch.
I finished Celia’s quilt for her using the linen duvet cover to edge and back it and curtain lining for wadding.
I hand stitched the entire the border and the striped binding and quilted it with knots, 2021.
“I began stitching some small bits of fabric together about thirty years ago. My daughter tried her hand at making a nightdress and later a blouse. So I used pieces of her left over material to begin what I thought might make a cushion cover. But in long winter evenings I continued, I found it addictive. I find it soothing, a kind of meditation. My patchwork I’m afraid was quite quite random, a bit like my life. My garden is the same ho ho! I used packaging cardboard for the templates and later pages from glossy magazines. Of course I had long spells of putting the resulting larger and larger patchwork to the back burner.
Later when my son had his interior design emporium, I loved seeing his wonderful sample books of fabrics, and began to preserve some of them into the large piece of patchwork. I remember picking out samples for children’s curtains, some had little bears, and a little train was another. I thought of my young grandchildren, and if they were poorly they could perhaps count and find the toys in the little patches here and there. Of course that never came to pass as the patchwork lived in the back of the wardrobe. I tried to tidy up the edges and make a straight edge. But lost the energy to finish it to a useable piece of material. It contains a lot of memories, of clothes from my past.
My son gave me a lovely fine linen lavender coloured double duvet cover. And I had curtains that he had made for me. They were triple lined and the middle layer was a thick sort of felted material. You Chris so brilliantly brought the three layers together. I loved all the trimming fabrics you used to edge the quilt, little fine stripes. I am indebted to you for all the fine details you added.
I hope that one day one of my grandchildren will be kept warm and love the quilt as much as I do.”
Celia
These two quilts were created using an eclectic mix of work trousers, cargo shorts, tee shirts and pyjamas that had belonged to a plumber. The client wanted to include as many labels and pocket details as possible to show the provenance of the fabrics. She also wanted them to be similar but different as she was gifting them to his two daughters.
The quilts were a challenge to make due to the wildly differing fabrics including, fleece, jersey and chunky cotton (the cargo trousers and shorts) but with a lot of ironing at every stage, they came together. I used a beautiful striped linen on the backs that also featured as the binding, and a light weight cotton wadding. I quilted them with hand knotting, one using orange thread and the other using green, colours I sourced from one of the labels.
These two memory quilts were made using the ties and shirts of a much loved husband and dad. His wife couldn’t bring herself to pass these much loved items on to a charity shop and had held on to them. A mutual friend suggested she should call me and the shirts and ties duly arrived. Amongst his many ties there were two red ones which gave me the idea of making a series of wonky log cabin blocks. His family tartan was used for the backing and edging and was ordered came from the Locharron Weavers. For quilting I hand knotted buttons that I had cut off the shirts. The client was so happy with the finished quilts that she ordered a third for herself.
As a little surprise I made a star for her newly arrived grandchild.
I was gifted this quilt by a lady I met at Marlborough Summer School. She wasn’t on my course but noticed the quilts I had hanging up in the classroom and came in to have a look. She told me about a quilt that her mother had made and that she would bring it in to show me. The next day she appeared with the quilt and told me about it.
“Ethel Horlock (known as Dinah) was a compulsive stitcher and patchwork maker. She made the quilt in the late fifties and early sixties.The templates were homemade from cereal boxes and the material she used were remnants from the dresses she had made for me as a child. The bulk, however came from samples that she sent away for. She never completed it. When she died I found it tidied away with other loose hexagon flowers. I added the blue binding and used it as a throw across the end of a bed.”
Ethel’s daughter gave me this quilt, knowing that I would appreciate and treasure it. I mended broken seams and replaced fragile panels, added wadding and backing, a vintage cotton sheet and quilted it with knots of cotton perle.
Don’t miss my eye-catching Canvas Bags – Ideal for those little shopping trips. New design just out!
The EU GDPR is designed to help all of us have more control over our personal data, and how is it used.
Data subjects, being all visitors and users of any website who are members of the European Union who submit any personal data. Christine Green is the data processor and data controller of this site. You can find out more about this law here.
Effective from 25th May, 2018
This Privacy Policy sets out how I use and protect information that you may provide when you use this website. Your privacy is protected, and is important to me. If you provide identifiable personal information it will only be used to help me fulfil queries and requests.
Christine Green is the company or person who collects any personal data submitted through christinegreencrafts.co.uk
I may update this policy periodically, please check this page to ensure that you are in agreement with any changes.
Personal information, basically any data that can be used to identify or contact you is collected so I can service your requirements. This could include your name, business name, address details, email, telephone numbers, or information pertaining to enquiries you may have sent me, or details about classes, workshops or other services I offer. You may also at times be asked to leave a message about your enquiry or project brief. Websites also collect your IP address through the use of Cookies (find out more about cookies below).
If you opted-in to our mailing list, you may receive occasional emails on important updates or service information. You have the right to opt-out or and have any personal details removed at any time, please email me, Christine Green, at buttnergreen@gmail.com
Information is saved until the enquiry is dealt with, and then archived with the project or on cloud based systems if you are an ongoing client. I also retain your contact details and information in the emails you have sent, but you can request to have your personal details deleted at any time.
I will not sell, distribute, or lease your personal information to third parties unless I have your express permission, or are required by law to do so. I may use your personal information to send you relevant information about services I offer, or information you need as part of the services I offer.
In my commitment to ensuring that your information is secure and to prevent unauthorised access or disclosure, I have suitable physical, electronic and managerial procedures in place to safeguard and secure the information I collect online.
You may choose to restrict the collection or use of your personal information in the following ways:
I use Google Analytics to find out what content works best for our users. User-level and event-level data associated with Google Analytics cookies is retained for 14 months and then automatically deleted. Website visitors who don’t want their data used by Analytics can install the Analytics opt-out browser add-on.
I have implemented IP Anonymization, simply put, the last three digits of your IP address are set to zeros in memory shortly after being sent to the Analytics Collection Network. The full IP address is never written retained, or written to disk.
This site also uses cookies to improve your user experience, find out more or manage them here.
These are necessary cookies, they are used to remember your preferences for the site, including your logged in status, language preferences etc. These cookies do not store any visitor information. We highly recommend you do not turn them off as it will cause the website to not function properly.
These cookies are not necessary for the basic functioning of this site, however de-activating them may impede your user experience.
Google Analytics Cookies are used to identify unique users and allow us to see where users come from and which pages they visit. They do not personally identify you. If you disable these cookies, you will not be recognised when you return. The site will treat you as a new visitor.